© Copyright 2006, Yochai Benkler.
This online version has been created under a Creative Commons Attribution Noncommercial ShareAlike license - see www.benkler.org - and has been reformatted and designated as recommended reading - with an accompanying Moodle course - for the NGO Committee on Education of CONGO - the Conference Of Non-Governmental Organizations in Consultative Relationship with the United Nations - in conjunction with the Committee's commitment to the United Nations Decade of Education for Sustainable Development, the International Decade for a Culture of Peace and Non-violence for the Children of the World and related international Decades, agreements, conventions and treaties.
"Human nature is not a machine to be built after a model, and set to do exactly the work prescribed for it, but a tree, which requires to grow and develop itself on all sides, according to the tendency of the inward forces which make it a living thing."
"Such are the differences among human beings in their sources of pleasure, their susceptibilities of pain, and the operation on them of different physical and moral agencies, that unless there is a corresponding diversity in their modes of life, they neither obtain their fair share of happiness, nor grow up to the mental, moral, and aesthetic stature of which their nature is capable."
John Stuart Mill, On Liberty (1859)
The decade straddling the turn of the twenty-first century has seen high levels of legislative and policy activity in the domains of information and communications.
Europe covered similar ground on telecommunications, and added a new exclusive right in raw facts in databases.
Both the United States and the European Union drove for internationalization of the norms they adopted, through the new World Intellectual Property Organization (WIPO) treaties and, more important, though the inclusion of intellectual property concerns in the international trade regime.
In the seven years since then, legal battles have raged over the meaning of these changes, as well as over efforts to extend them in other directions.
From telecommunications law to copyrights, from domain name assignment to trespass to server, we have seen a broad range of distinct regulatory moves surrounding the question of control over the basic resources needed to create, encode, transmit, and receive information, knowledge, and culture in the digital environment.
As we telescope up from the details of sundry regulatory skirmishes, we begin to see a broad pattern of conflict over the way that access to these core resources will be controlled.
Much of the formal regulatory drive has been to increase the degree to which private, commercial parties can gain and assert exclusivity in core resources necessary for information production and exchange.
That freedom from both legal and market constraints on exercising control has been complemented by increasing pressures from copyright industries to require that providers exercise greater control over the information flows in their networks in order to enforce copyrights.
At the logical layer, anticircumvention provisions and the efforts to squelch peer-to-peer sharing have created institutional pressures on software and protocols to offer a more controlled and controllable environment.
At the content layer, we have seen a steady series of institutional changes aimed at tightening exclusivity.
At each of these layers, however, we have also seen countervailing forces.
The open standards used for personal computer design have provided an open platform.
The concerted resistance against efforts to require computers to be designed so they can more reliably enforce copyrights against their users has, to this point, prevented extension of the DMCA approach to hardware design.
At the logical layer, the continued centrality of open standard-setting processes and the emergence of free software as a primary modality of producing mission-critical software provide significant resistance to efforts to enclose the logical layer.
At the content layer, where law has been perhaps most systematically one-sided in its efforts to enclose, the cultural movements and the technical affordances that form the foundation of the transformation described throughout this book stand as the most significant barrier to enclosure.
It is difficult to tell how much is really at stake, from the long-term perspective, in all these legal battles.
It would have to curtail some of the most fundamental technical characteristics of computer networks and extinguish some of our most fundamental human motivations and practices of sharing and cooperation.
It would have to shift the market away from developing ever-cheaper general-purpose computers whose value to users is precisely their on-the-fly configurability over time, toward more controllable and predictable devices.
It would have to squelch the emerging technologies in wireless, storage, and computation that are permitting users to share their excess resources ever more efficiently.
It would have to dampen the influence of free software, and prevent people, young and old, from doing the age-old human thing: saying to each other, "here, why don't you take this, you'll like it," with things they can trivially part with and share socially.
It is far from obvious that law can, in fact, achieve such basic changes.
From another viewpoint, there may be no need to completely squelch all these things.
Lessig called this the principle of bovinity: a small number of rules, consistently applied, suffice to control a herd of large animals.
There is no need to assure that all people in all contexts continue to behave as couch potatoes for the true scope of the networked information economy to be constrained.
It is enough that the core enabling technologies and the core cultural practices are confined to small groups - some teenagers, some countercultural activists.
There have been places like the East Village or the Left Bank throughout the period of the industrial information economy.
For the gains in autonomy, democracy, justice, and a critical culture that are described in part II to materialize, the practices of nonmarket information production, individually free creation, and cooperative peer production must become more than fringe practices.
They must become a part of life for substantial portions of the networked population.
The battle over the institutional ecology of the digitally networked environment is waged precisely over how many individual users will continue to participate in making the networked information environment, and how much of the population of consumers will continue to sit on the couch and passively receive the finished goods of industrial information producers.
The century-old pragmatist turn in American legal thought has led to the development of a large and rich literature about the relationship of law to society and economy.
Explanations are many: some simple, some complex; some analytically tractable, many not.
I do not make a substantive contribution to that debate here, but rather build on some of its strains to suggest that the process is complex, and particularly, that the relationship of law to social relations is one of punctuated equilibrium - there are periods of stability followed by periods of upheaval, and then adaptation and stabilization anew, until the next cycle.
Hopefully, the preceding ten chapters have provided sufficient reason to think that we are going through a moment of social-economic transformation today, rooted in a technological shock to our basic modes of information, knowledge, and cultural production.
Most of this chapter offers a sufficient description of the legislative and judicial battles of the past few years to make the case that we are in the midst of a significant perturbation of some sort.
I suggest that the heightened activity is, in fact, a battle, in the domain of law and policy, over the shape of the social settlement that will emerge around the digital computation and communications revolution.
The basic claim is made up of fairly simple components.
This is in contradistinction to, on the one hand, the classical Marxist claim that law is epiphenomenal, and, on the other hand, the increasingly rare simple economic models that ignore transaction costs and institutional barriers and simply assume that people will act in order to maximize their welfare, irrespective of institutional arrangements.
Second, the causal relationship between law and human behavior is complex.
Simple deterministic models of the form "if law X, then behavior Y" have been used as assumptions, but these are widely understood as, and criticized for being, oversimplifications for methodological purposes.
Laws do affect human behavior by changing the payoffs to regulated actions directly.
However, they also shape social norms with regard to behaviors, psychological attitudes toward various behaviors, the cultural understanding of actions, and the politics of claims about behaviors and practices.
These effects are not all linearly additive.
Some push back and nullify the law, some amplify its effects; it is not always predictable which of these any legal change will be.
Decreasing the length of a "Walk" signal to assure that pedestrians are not hit by cars may trigger wider adoption of jaywalking as a norm, affecting ultimate behavior in exactly the opposite direction of what was intended.
This change may, in turn, affect enforcement regarding jaywalking, or the length of the signals set for cars, because the risks involved in different signal lengths change as actual expected behavior changes, which again may feed back on driving and walking practices.
Third, and as part of the complexity of the causal relation, the effects of law differ in different material, social, and cultural contexts.
The same law introduced in different societies or at different times will have different effects.
It may enable and disable a different set of practices, and trigger a different cascade of feedback and countereffects.
This is because human beings are diverse in their motivational structure and their cultural frames of meaning for behavior, for law, or for outcomes.
Fourth, the process of lawmaking is not exogenous to the effects of law on social relations and human behavior.
One can look at positive political theory or at the history of social movements to see that the shape of law itself is contested in society because it makes (through its complex causal mechanisms) some behaviors less attractive, valuable, or permissible, and others more so.
The "winners" and the "losers" battle each other to tweak the institutional playing field to fit their needs.
As a consequence of these, there is relatively widespread acceptance that there is path dependence in institutions and social organization.
That is, the actual organization of human affairs and legal systems is not converging through a process of either Marxist determinism or its neoclassical economics mirror image, "the most efficient institutions win out in the end."
Different societies will differ in initial conditions and their historically contingent first moves in response to similar perturbations, and variances will emerge in their actual practices and institutional arrangements that persist over time - irrespective of their relative inefficiency or injustice.
The term "institutional ecology" refers to this context-dependent, causally complex, feedback-ridden, path-dependent process.
A series of organizational and institutional choices converged in all nations on a broadcast model, but the American broadcast model, the BBC model, and the state-run monopoly radio models created very different journalistic styles, consumption expectations and styles, and funding mechanisms in these various systems.
These differences, rooted in a series of choices made during a short period in the 1920s, persisted for decades in each of the respective systems.
Paul Starr has argued in The Creation of the Media that basic institutional choices - from postage pricing to freedom of the press - interacted with cultural practices and political culture to underwrite substantial differences in the print media of the United States, Britain, and much of the European continent in the late eighteenth and throughout much of the nineteenth centuries./1
Again, the basic institutional and cultural practices were put in place around the time of the American Revolution, and were later overlaid with the introduction of mass-circulation presses and the telegraph in the mid-1800s.
Ithiel de Sola Pool's Technologies of Freedom describes the battle between newspapers and telegraph operators in the United States and Britain over control of telegraphed news flows.
In Britain, this resulted in the nationalization of telegraph and the continued dominance of London and The Times.
In the United States, it resolved into the pooling model of the Associated Press, based on private lines for news delivery and sharing - the prototype for newspaper chains and later network-television models of mass media./2
The possibility of multiple stable equilibria alongside each other evoked by the stories of radio and print media is a common characteristic to both ecological models and analytically tractable models of path dependency.
Both methodological approaches depend on feedback effects and therefore suggest that for any given path divergence, there is a point in time where early actions that trigger feedbacks can cause large and sustained differences over time.
Systems that exhibit path dependencies are characterized by periods of relative pliability followed by periods of relative stability.
It can then be shaken out of that stability by external shocks - like Admiral Perry's arrival in Japan - or internal buildup of pressure to a point of phase transition, as in the case of slavery in the United States.
Of course, not all shocks can so neatly be categorized as external or internal - as in the case of the Depression and the New Deal.
To say that there are periods of stability is not to say that in such periods, everything is just dandy for everyone.
It is only to say that the political, social, economic settlement is too widely comfortable for, accepted or acquiesced in, by too many agents who in that society have the power to change practices for institutional change to have substantial effects on the range of lived human practices.
The first two parts of this book explained why the introduction of digital computer-communications networks presents a perturbation of transformative potential for the basic model of information production and exchange in modern complex societies.
This chapter offers a fairly detailed map of how law and policy are being tugged and pulled in response to these changes.
Digital computers and networked communications as a broad category will not be rolled back by these laws.
Instead, we are seeing a battle - often but not always self-conscious - over the precise shape of these technologies.
More important, we are observing a series of efforts to shape the social and economic practices as they develop to take advantage of these new technologies.
Two specific examples will illustrate the various levels at which law can operate to shape the use of information and its production and exchange.
After students at Swarthmore College posted the files, Diebold made a demand under the DMCA that the college remove the materials or face suit for contributory copyright infringement.
The students were therefore forced to remove the materials.
However, in order keep the materials available, the students asked students at other institutions to mirror the files, and injected them into the eDonkey, BitTorrent, and FreeNet file-sharing and publication networks.
Ultimately, a court held that the unauthorized publication of files that were not intended for sale and carried such high public value was a fair use.
This meant that the underlying publication of the files was not itself a violation, and therefore the Internet service provider was not liable for providing a conduit.
However, the case was decided on September 30, 2004 - long after the information would have been relevant to the voting equipment certification process in California.
What kept the information available for public review was not the ultimate vindication of the students' publication.
It was the fact that the materials were kept in the public sphere even under threat of litigation.
Recall also that at least some of the earlier set of Diebold files that were uncovered by the activist who had started the whole process in early 2003 were zipped, or perhaps encrypted in some form.
Scoop, the Web site that published the revelation of the initial files, published - along with its challenge to the Internet community to scour the files and find holes in the system - links to locations in which utilities necessary for reading the files could be found.
There are four primary potential points of failure in this story that could have conspired to prevent the revelation of the Diebold files, or at least to suppress the peer-produced journalistic mode that made them available.
Second, the existence of peer-to-peer networks that overlay the physical networks and were used to distribute the materials made expunging them from the Internet practically impossible.
There was no single point of storage that could be locked down.
This made the prospect of threatening other universities futile.
Third, those of the original files that were not in plain text were readable with software utilities that were freely available on the Internet, and to which Scoop pointed its readers.
This made the files readable to many more critical eyes than they otherwise would have been.
Fourth, and finally, the fact that access to the raw materials - the e-mails - was ultimately found to be privileged under the fair-use doctrine in copyright law allowed all the acts that had been performed in the preceding period under a shadow of legal liability to proceed in the light of legality.
The second example does not involve litigation, but highlights more of the levers open to legal manipulation.
By carefully synchronizing the lip movements from the various news clips, the video produced the effect of Bush "singing" Richie's part, and Blair "singing" Ross's, serenading each other with an eternal love ballad.
No legal action with regard to the release of this short video has been reported.
However, the story adds two components not available in the context of the Diebold files context.
First, it highlights that quotation from video and music requires actual copying of the digital file.
Unlike text, you cannot simply transcribe the images or the sound.
This means that access to the unencrypted bits is more important than in the case of text.
Second, it is not at all clear that using the entire song, unmodified, is a "fair use."
While it is true that the Swedish video is unlikely to cut into the market for the original song, there is nothing in the video that is a parody either of the song itself or of the news footage.
The video uses "found materials," that is, materials produced by others, to mix them in a way that is surprising, creative, and creates a genuinely new statement.
However, its use of the song is much more complete than the minimalist uses of digital sampling in recorded music, where using a mere two-second, three-note riff from another's song has been found to be a violation unless done with a negotiated license./3
Combined, the two stories suggest that we can map the resources necessary for a creative communication, whether produced on a market model or a nonmarket model, as including a number of discrete elements.
These include the song and video footage, or the e-mail files, in the two stories.
Second, there is the cluster of machinery that goes into capturing, manipulating, fixing and communicating the new cultural utterances or communications made of these inputs, mixed with the creativity, knowledge, information, or communications capacities of the creator of the new statement or communication.
These include the physical devices - the computers used by the students and the video artist, as well as by their readers or viewers - and the physical transmission mechanisms used to send the information or communications from one place to another.
In the Diebold case, the firm tried to use the Internet service provider liability regime of the DMCA to cut off the machine storage and mechanical communications capacity provided to the students by the university.
However, the "machinery" also includes the logical components - the software necessary to capture, read or listen to, cut, paste, and remake the texts or music; the software and protocols necessary to store, retrieve, search, and communicate the information across the Internet.
As these stories suggest, freedom to create and communicate requires use of diverse things and relationships - mechanical devices and protocols, information, cultural materials, and so forth.
It includes regulatory and policy elements that affect different industries, draw on various legal doctrines and traditions, and rely on diverse economic and political theories and practices.
It includes social norms of sharing and consumption of things conceived of as quite different - bandwidth, computers, and entertainment materials.
To make these cohere into a single problem, for several years I have been using a very simple, three-layered representation of the basic functions involved in mediated human communications.
These are intended to map how different institutional components interact to affect the answer to the basic questions that define the normative characteristics of a communications system - who gets to say what, to whom, and who decides?/4
These are the physical, logical, and content layers.
These include the computers, phones, handhelds, wires, wireless links, and the like.
The content layer is the set of humanly meaningful statements that human beings utter to and with one another.
It includes both the actual utterances and the mechanisms, to the extent that they are based on human communication rather than mechanical processing, for filtering, accreditation, and interpretation.
The logical layer represents the algorithms, standards, ways of translating human meaning into something that machines can transmit, store, or compute, and something that machines process into communications meaningful to human beings.
These include standards, protocols, and software - both general enabling platforms like operating systems, and more specific applications.
A mediated human communication must use all three layers, and each layer therefore represents a resource or a pathway that the communication must use or traverse in order to reach its intended destination.
In each and every one of these layers, we have seen the emergence of technical and practical capabilities for using that layer on a nonproprietary model that would make access cheaper, less susceptible to control by any single party or class of parties, or both.
In each and every layer, we have seen significant policy battles over whether these nonproprietary or open-platform practices will be facilitated or even permitted.
Looking at the aggregate effect, we see that at all these layers, a series of battles is being fought over the degree to which some minimal set of basic resources and capabilities necessary to use and participate in constructing the information environment will be available for use on a nonproprietary, nonmarket basis.
In each layer, the policy debate is almost always carried out in local, specific terms.
However, the basic, overarching question that we must learn to ask in all these debates is: Are we leaving enough institutional space for the social-economic practices of networked information production to emerge?
The networked information economy requires access to a core set of capabilities - existing information and culture, mechanical means to process, store, and communicate new contributions and mixes, and the logical systems necessary to connect them to each other.
What nonmarket forms of production need is a core common infrastructure that anyone can use, irrespective of whether their production model is market-based or not, proprietary or not.
In almost all these dimensions, the current trajectory of technological-economic-social trends is indeed leading to the emergence of such a core common infrastructure, and the practices that make up the networked information economy are taking advantage of open resources.
Wireless equipment manufacturers are producing devices that let users build their own networks, even if these are now at a primitive stage.
The open-innovation ethos of the programmer and Internet engineering community produce both free software and proprietary software that rely on open standards for providing an open logical layer.
The emerging practices of free sharing of information, knowledge, and culture that occupy most of the discussion in this book are producing an ever-growing stream of freely and openly accessible content resources.
The core common infrastructure appears to be emerging without need for help from a guiding regulatory hand.
This may or may not be a stable pattern.
It is possible that by some happenstance one or two firms, using one or two critical technologies, will be able to capture and control a bottleneck.
At that point, perhaps regulatory intervention will be required.
However, from the beginning of legal responses to the Internet and up to this writing in the middle of 2005, the primary role of law has been reactive and reactionary.
It has functioned as a point of resistance to the emergence of the networked information economy.
It has been used by incumbents from the industrial information economies to contain the risks posed by the emerging capabilities of the networked information environment.
What the emerging networked information economy therefore needs, in almost all cases, is not regulatory protection, but regulatory abstinence.
The remainder of this chapter provides a more or less detailed presentation of the decisions being made at each layer, and how they relate to the freedom to create, individually and with others, without having to go through proprietary, market-based transactional frameworks.
To overcome this expositional problem, I have collected the various institutional changes in table 11.1.
Table 11.1: Overview of the Institutional Ecology
|
|
Enclosure | Openness |
|---|---|---|
Physical
|
|
|
Physical
|
|
|
Logical
|
|
|
Logical
|
|
|
| Content |
|
|
For readers interested only in the overarching claim of this chapter - that is, that there is, in fact, a battle over the institutional environment, and that many present choices interact to increase or decrease the availability of basic resources for information production and exchange - table 11.1 may provide sufficient detail.
A quick look at table 11.1 reveals that there is a diverse set of sources of openness.
Mostly, they are based on technological and social practices, including resistance to legal and regulatory drives toward enclosure.
Examples of policy interventions that support an open core common infrastructure are the FCC's increased permission to deploy open wireless networks and the various municipal broadband initiatives.
The former is a regulatory intervention, but its form is largely removal of past prohibitions on an entire engineering approach to building wireless systems.
Municipal efforts to produce open broadband networks are being resisted at the state legislation level, with statutes that remove the power to provision broadband from the home rule powers of municipalities.
For the most part, the drive for openness is based on individual and voluntary cooperative action, not law.
The social practices of openness take on a quasi-normative face when practiced in standard-setting bodies like the Internet Engineering Task Force (IETF) or the World Wide Web Consortium (W3C).
However, none of these have the force of law.
Legal devices also support openness when used in voluntaristic models like free software licensing and Creative Commons-type licensing.
However, most often when law has intervened in its regulatory force, as opposed to its contractual-enablement force, it has done so almost entirely on the side of proprietary enclosure.
Another characteristic of the social-economic-institutional struggle is an alliance between a large number of commercial actors and the social sharing culture.
We see this in the way that personal computer manufacturers are competing over decreasing margins by producing the most general-purpose machines that would be most flexible for their users, rather than machines that would most effectively implement the interests of Hollywood and the recording industry.
We see this in the way that service and equipment-based firms, like IBM and Hewlett-Packard (HP), support open-source and free software.
The alliance between the diffuse users and the companies that are adapting their business models to serve them as users, instead of as passive consumers, affects the political economy of this institutional battle in favor of openness.
On the other hand, security consciousness in the United States has led to some efforts to tip the balance in favor of closed proprietary systems, apparently because these are currently perceived as more secure, or at least more amenable to government control.
While orthogonal in its political origins to the battle between proprietary and commons-based strategies for information production, this drive does tilt the field in favor of enclosure, at least at the time of this writing in 2005.
Over the past few years, we have also seen that the global character of the Internet is a major limit on effective enclosure, when openness is a function of technical and social practices, and enclosure is a function of law./5
This force is meeting the countervailing force of international harmonization - a series of bilateral and multilateral efforts to "harmonize" exclusive rights regimes internationally and efforts to coordinate international enforcement.
It is difficult at this stage to predict which of these forces will ultimately have the upper hand.
It is not too early to map in which direction each is pushing.
And it is therefore not too early to characterize the normative implications of the success or failure of these institutional efforts.
The physical layer encompasses both transmission channels and devices for producing and communicating information.
Consumers owned dumb terminals.
Providers owned sophisticated networks and equipment: transmitters and switches.
Consumers could therefore consume whatever providers could produce most efficiently that the providers believed consumers would pay for.
Central to the emergence of the freedom of users in the networked environment is an erosion of the differentiation between consumer and provider equipment.
Consumers came to use general-purpose computers that could do whatever their owners wanted, instead of special-purpose terminals that could only do what their vendors designed them to do.
These devices were initially connected over a transmission network - the public phone system - that was regulated as a common carrier.
Common carriage required the network owners to carry all communications without differentiating by type or content.
The network was neutral as among communications.
The transition to broadband networks, and to a lesser extent the emergence of Internet services on mobile phones, are threatening to undermine that neutrality and nudge the network away from its end-to-end, user-centric model to one designed more like a five-thousand-channel broadcast model.
At the same time, Hollywood and the recording industry are pressuring the U.S. Congress to impose regulatory requirements on the design of personal computers so that they can be relied on not to copy music and movies without permission.
In the process, the law seeks to nudge personal computers away from being purely general-purpose computation devices toward being devices with factory-defined behaviors vis-à-vis predicted-use patterns, like glorified televisions and CD players.
The emergence of the networked information economy as described in this book depends on the continued existence of an open transport network connecting general-purpose computers.
It therefore also depends on the failure of the efforts to restructure the network on the model of proprietary networks connecting terminals with sufficiently controlled capabilities to be predictable and well behaved from the perspective of incumbent production models.
Transport: Wires and Wireless
Recall the Cisco white paper quoted in chapter 5.
If the packet came from a competitor, or someone the user wanted to see or hear but the owner preferred that the user did not, the packet could be slowed down or dropped.
If it came from the owner or an affiliate, it could be speeded up.
The purpose of the router was not to enable evil control over users.
It was to provide better-functioning networks.
America Online (AOL), for example, has been reported as blocking its users from reaching Web sites that have been advertised in spam e-mails.
The theory is that if spammers know their Web site will be inaccessible to AOL customers, they will stop./6
The ability of service providers to block sites or packets from certain senders and promote packets from others may indeed be used to improve the network.
However, whether this ability will in fact be used to improve service depends on the extent to which the interests of all users, and particularly those concerned with productive uses of the network, are aligned with the interests of the service providers.
Clearly, when in 2005 Telus, Canada's second largest telecommunications company, blocked access to the Web site of the Telecommunications Workers Union for all of its own clients and those of internet service providers that relied on its backbone network, it was not seeking to improve service for those customers' benefit, but to control a conversation in which it had an intense interest.
When there is a misalignment, the question is what, if anything, disciplines the service providers' use of the technological capabilities they possess?
One source of discipline would be a genuinely competitive market.
The transition to broadband has, however, severely constrained the degree of competition in Internet access services.
Another would be regulation: requiring owners to treat all packets equally.
This solution, while simple to describe, remains highly controversial in the policy world.
It has strong supporters and strong opposition from the incumbent broadband providers, and has, as a practical matter, been rejected for the time being by the FCC.
The third type of solution would be both more radical and less "interventionist" from the perspective of regulation.
It would involve eliminating contemporary regulatory barriers to the emergence of a user-owned wireless infrastructure.
It would allow users to deploy their own equipment, share their wireless capacity, and create a "last mile" owned by all users in common, and controlled by none.
This would, in effect, put equipment manufacturers in competition to construct the "last mile" of broadband networks, and thereby open up the market in "middle-mile" Internet connection services.
Since the early 1990s, when the Clinton administration announced its "Agenda for Action" for what was then called "the information superhighway," it was the policy of the United States to "let the private sector lead" in deployment of the Internet.
In the first few years, this meant that investment in the backbone of the Internet was private, and heavily funded by the stock bubble of the late 1990s.
It also meant that the last distribution bottleneck - the "last mile" - was privately owned.
Until the end of the 1990s, the last mile was made mostly of dial-up connections over the copper wires of the incumbent local exchange carriers.
This meant that the physical layer was not only proprietary, but that it was, for all practical purposes, monopolistically owned.
Why, then, did the early Internet nonetheless develop into a robust, end-to-end neutral network?
As Lessig showed, this was because the telephone carriers were regulated as common carriers.
They were required to carry all traffic without discrimination.
Whether a bit stream came from Cable News Network (CNN) or from an individual blog, all streams - upstream from the user and downstream to the user - were treated neutrally.
Broadband Regulation
The end of the 1990s saw the emergence of broadband networks.
The incumbent local telephone carriers have been playing catch-up ever since, using digital subscriber line (DSL) techniques to squeeze sufficient speed out of their copper infrastructure to remain competitive, while slowly rolling out fiber infrastructure closer to the home.
As of 2003, the incumbent cable carriers and the incumbent local telephone companies accounted for roughly 96 percent of all broadband access to homes and small offices./7
In 1999-2000, as cable was beginning to move into a more prominent position, academic critique began to emerge, stating that the cable broadband architecture could be manipulated to deviate from the neutral, end-to-end architecture of the Internet.
One such paper was written by Jerome Saltzer, one of the authors of the paper that originally defined the "end-to-end" design principle of the Internet in 1980, and Lessig and Mark Lemley wrote another.
These papers began to emphasize that cable broadband providers technically could, and had commercial incentive to, stop treating all communications neutrally.
They could begin to move from a network where almost all functions are performed by user-owned computers at the ends of the network to one where more is done by provider equipment at the core.
The introduction of the Cisco policy router was seen as a stark marker of how things could change.
The following two years saw significant regulatory battles over whether the cable providers would be required to behave as commons carriers.
The theory was that competition would discipline the incumbents from skewing their networks too far away from what users valued as an open Internet.
The first round of battles occurred at the municipal level.
Local franchising authorities tried to use their power over cable licenses to require cable operators to offer open access to their competitors if they chose to offer cable broadband.
The cable providers challenged these regulations in courts.
The most prominent decision came out of Portland, Oregon, where the Federal Court of Appeals for the Ninth Circuit held that broadband was part information service and part telecommunications service, but not a cable service.
The FCC, not the cable franchising authority, had power to regulate it./8
At the same time, as part of the approval of the AOL-Time Warner merger, the Federal Trade Commission (FTC) required the new company to give at least three competitors open access to its broadband facilities, should AOL be offered cable broadband facilities over Time Warner.
The AOL-Time Warner merger requirements, along with the Ninth Circuit's finding that cable broadband included a telecommunications component, seemed to indicate that cable broadband transport would come to be treated as a common carrier.
In late 2001 and the middle of 2002, the FCC issued a series of reports that would reach the exact opposite result.
Cable broadband, the commission held, was an information service, not a telecommunications service.
This created an imbalance with the telecommunications status of broadband over telephone infrastructure, which at the time was treated as a telecommunications service.
The commission dealt with this imbalance by holding that broadband over telephone infrastructure, like broadband over cable, was now to be treated as an information service.
Adopting this definition was perhaps admissible as a matter of legal reasoning, but it certainly was not required by either sound legal reasoning or policy.
The FCC's reasoning effectively took the business model that cable operators had successfully used to capture two-thirds of the market in broadband - bundling two discrete functionalities, transport (carrying bits) and higher-level services (like e-mail and Web hosting) - and treated it as though it described the intrinsic nature of "broadband cable" as a service.
Because that service included more than just carriage of bits, it could be called an information service.
Of course, it would have been as legally admissible, and more technically accurate, to do as the Ninth Circuit had done.
That is, to say that cable broadband bundles two distinct services: carriage and information-use tools.
The former is a telecommunications service.
In June of 2005, the Supreme Court in the Brand X case upheld the FCC's authority to make this legally admissible policy error, upholding as a matter of deference to the expert agency the Commission's position that cable broadband services should be treated as information services./9
As a matter of policy, the designation of broadband services as "information services" more or less locked the FCC into a "no regulation" approach.
As information services, broadband providers obtained the legal power to "edit" their programming, just like any operator of an information service, like a Web site.
Indeed, this new designation has placed a serious question mark over whether future efforts to regulate carriage decisions would be considered constitutional, or would instead be treated as violations of the carriers' "free speech" rights as a provider of information.
Over the course of the 1990s, there were a number of instances where carriers - particularly cable, but also telephone companies - were required by law to carry some signals from competitors.
In particular, cable providers were required to carry over-the-air broadcast television, telephone carriers, in FCC rules called "video dialtone," were required to offer video on a common carriage basis, and cable providers that chose to offer broadband were required to make their infrastructure available to competitors on a common carrier model.
In each of these cases, the carriage requirements were subjected to First Amendment scrutiny by courts.
In the case of cable carriage of broadcast television, the carriage requirements were only upheld after six years of litigation./10
In cases involving video common carriage requirements applied to telephone companies and cable broadband, lower courts struck down the carriage requirements as violating the telephone and cable companies' free-speech rights./11
To a large extent, then, the FCC's regulatory definition left the incumbent cable and telephone providers - who control 96 percent of broadband connections to home and small offices - unregulated, and potentially constitutionally immune to access regulation and carriage requirements.
Since 2003 the cable access debate - over whether competitors should get access to the transport networks of incumbent broadband carriers - has been replaced with an effort to seek behavioral regulation in the form of "network neutrality."
This regulatory concept would require broadband providers to treat all packets equally, without forcing them to open their network up to competitors or impose any other of the commitments associated with common carriage.
For this reason, if for no other, it remains as of this writing a viable path for institutional reform that would balance the basic structural shift of Internet infrastructure from a common-carriage to a privately controlled model.
Even if successful, the drive to network neutrality would keep the physical infrastructure a technical bottleneck, owned by a small number of firms facing very limited competition, with wide legal latitude for using that control to affect the flow of information over their networks.
Open Wireless Networks
A more basic and structural opportunity to create an open broadband infrastructure is, however, emerging in the wireless domain.
The long-haul portions of the network have multiple redundant paths with no clear choke points.
The primary choke point over the physical transport of bits across the Internet is in the last mile of all but the most highly connected districts.
That is, the primary bottleneck is the wire or cable connecting the home and small office to the network.
It is here that cable and local telephone incumbents control the market.
It is here that the high costs of digging trenches, pulling fiber, and getting wires through and into walls pose a prohibitive barrier to competition.
And it is here, in the last mile, that unlicensed wireless approaches now offer the greatest promise to deliver a common physical infrastructure of first and last resort, owned by its users, shared as a commons, and offering no entity a bottleneck from which to control who gets to say what to whom.
As discussed in chapter 6, from the end of World War I and through the mid-twenties, improvements in the capacity of expensive transmitters and a series of strategic moves by the owners of the core patents in radio transmission led to the emergence of the industrial model of radio communications that typified the twentieth century.
These were supported by a regulatory framework tailored to making the primary model of radio utilization for most Americans passive reception, with simple receivers, of commercial programming delivered with high-powered transmitters.
This industrial model, which assumed large-scale capital investment in the core of the network and small-scale investments at the edges, optimized for receiving what is generated at the core, imprinted on wireless communications systems both at the level of design and at the level of regulation.
When mobile telephony came along, it replicated the same model, using relatively cheap handsets oriented toward an infrastructure-centric deployment of towers.
The regulatory model followed Hoover's initial pattern and perfected it.
A government agency strictly controlled who may place a transmitter, where, with what antenna height, and using what power.
The justification was avoidance of interference.
The presence of strict licensing was used as the basic assumption in the engineering of wireless systems throughout this period.
Since 1959, economic analysis of wireless regulation has criticized this approach, but only on the basis that it inefficiently regulated the legal right to construct a wireless system by using strictly regulated spectrum licenses, instead of creating a market in "spectrum use" rights./12
This critique kept the basic engineering assumptions stable - for radio to be useful, a high-powered transmitter must be received by simple receivers.
Given this engineering assumption, someone had to control the right to emit energy in any range of radio frequencies.
The economists wanted the controller to be a property owner with a flexible, transferable right.
The regulators wanted it to be a licensee subject to regulatory oversight and approval by the FCC.
As chapter 3 explained, by the time that legislatures in the United States and around the world had begun to accede to the wisdom of the economists' critique, it had been rendered obsolete by technology.
Instead of having a regulation-determined exclusive right to transmit, which may or may not be subject to market reallocation, it is possible to have a market in smart radio equipment owned by individuals.
These devices have the technical ability to share capacity and cooperate in the creation of wireless carriage capacity.
These radios can, for example, cooperate by relaying each other's messages or temporarily "lending" their antennae to neighbors to help them decipher messages of senders, without anyone having exclusive use of the spectrum.
Just as PCs can cooperate to create a supercomputer in SETI@Home by sharing their computation, and a global-scale, peer-to-peer data-storage and retrieval system by sharing their hard drives, computationally intensive radios can share their capacity to produce a local wireless broadband infrastructure.
Open wireless networks allow users to install their own wireless device - much like the WiFi devices that have become popular.
These devices then search automatically for neighbors with similar capabilities, and self-configure into a high-speed wireless data network.
Reaching this goal does not, at this point, require significant technological innovation.
The technology is there, though it does require substantial engineering effort to implement.
The economic incentives to develop such devices are fairly straightforward.
Users already require wireless local networks.
They will gain added utility from extending their range for themselves, which would be coupled with the possibility of sharing with others to provide significant wide-area network capacity for whose availability they need not rely on any particular provider.
Ultimately, it would be a way for users to circumvent the monopoly last mile and recapture some of the rents they currently pay.
Equipment manufacturers obviously have an incentive to try to cut into the rents captured by the broadband monopoly/oligopoly by offering an equipment-embedded alternative.
My point here is not to consider the comparative efficiency of a market in wireless licenses and a market in end-user equipment designed for sharing channels that no one owns.
At the simplest level, neighbors could access locally relevant information directly, over a wide-area network.
More significant, the fact that users in a locality coproduced their own last-mile infrastructure would allow commercial Internet providers to set up Internet points of presence anywhere within the "cloud" of the locale.
The last mile would be provided not by these competing Internet service providers, but by the cooperative efforts of the residents of local neighborhoods.
Competitors in providing the "middle mile" - the connection from the last mile to the Internet cloud - could emerge, in a way that they cannot if they must first lay their own last mile all the way to each home.
The users, rather than the middle-mile providers, shall have paid the capital cost of producing the local transmission system - their own cooperative radios.
The presence of a commons-based, coproduced last mile alongside the proprietary broadband network eliminates the last mile as a bottleneck for control over who speaks, with what degree of ease, and with what types of production values and interactivity.
The development of open wireless networks, owned by their users and focused on sophisticated general-purpose devices at their edges also offers a counterpoint to the emerging trend among mobile telephony providers to offer a relatively limited and controlled version of the Internet over the phones they sell.
Others, however, are using their networks to allow customers to use their ever-more-sophisticated phones to surf portions of the Web.
These latter services diverge in their styles.
Some tend to be limited, offering only a set of affiliated Web sites rather than genuine connectivity to the Internet itself with a general-purpose device.
Sprint's "News" offerings, for example, connects users to CNNtoGo, ABCNews.com, and the like, but will not enable a user to reach the blogosphere to upload a photo of protesters being manhandled, for example.
So while mobility in principle increases the power of the Web, and text messaging puts e-mail-like capabilities everywhere, the effect of the implementations of the Web on phones is more ambiguous.
It could be more like a Web-enabled reception device than a genuinely active node in a multidirectional network.
Widespread adoption of open wireless networks would give mobile phone manufacturers a new option.
They could build into the mobile telephones the ability to tap into open wireless networks, and use them as general-purpose access points to the Internet.
The extent to which this will be a viable option for the mobile telephone manufacturers depends on how much the incumbent mobile telephone service providers, those who purchased their licenses at high-priced auctions, will resist this move.
Most users buy their phones from their providers, not from general electronic equipment stores.
Phones are often tied to specific providers in ways that users are not able to change for themselves.
In these conditions, it is likely that mobile providers will resist the competition from free open wireless systems for "data minutes" by refusing to sell dual-purpose equipment.
Worse, they may boycott manufacturers who make mobile phones that are also general-purpose Web-surfing devices over open wireless networks.
How that conflict will go, and whether users would be willing to carry a separate small device to enable them to have open Internet access alongside their mobile phone, will determine the extent to which the benefits of open wireless networks will be transposed into the mobile domain.
Normatively, that outcome has significant implications.
From the perspective of the citizen watchdog function, ubiquitous availability of capture, rendering, and communication capabilities are important.
From the perspective of personal autonomy as informed action in context, extending openness to mobile units would provide significant advantages to allow individuals to construct their own information environment on the go, as they are confronting decisions and points of action in their daily lives.
Municipal Broadband Initiatives
One alternative path for the emergence of basic physical information transport infrastructure on a nonmarket model is the drive to establish municipal systems.
They would be public, like highways, sidewalks, parks, and sewage systems.
Whether they are, or are not, ultimately to perform as commons would depend on how they would be regulated.
In the United States, given the First Amendment constraints on government preferring some speech to other speech in public fora, it is likely that municipal systems would be managed as commons.
In this regard, they would have parallel beneficial characteristics to those of open wireless systems.
The basic thesis underlying municipal broadband initiatives is similar to that which has led some municipalities to create municipal utilities or transportation hubs.
Connectivity has strong positive externalities.
It makes a city's residents more available for the information economy and the city itself a more attractive locale for businesses.
Most of the efforts have indeed been phrased in these instrumental terms.
The initial drive has been the creation of municipal fiber-to-the-home networks.
The town of Bristol, Virginia, is an example.
It has a population of slightly more than seventeen thousand.
Median household income is 68 percent of the national median.
These statistics made it an unattractive locus for early broadband rollout by incumbent providers.
However, in 2003, Bristol residents had one of the most advanced residential fiber-to-the-home networks in the country, available for less than forty dollars a month.
Unsurprisingly, therefore, the city had broadband penetration rivaling many of the top U.S. markets with denser and wealthier populations.
The "miracle" of Bristol is that the residents of the town, fed up with waiting for the local telephone and cable companies, built their own, municipally owned network.
Theirs has become among the most ambitious and successful of more than five hundred publicly owned utilities in the United States that offer high-speed Internet, cable, and telephone services to their residents.
Some of the larger cities - Chicago and Philadelphia, most prominently - are moving as of this writing in a similar direction.
The idea in Chicago is that basic "dark fiber" - that is, the physical fiber going to the home, but without the electronics that would determine what kinds of uses the connectivity could be put to - would be built by the city.
Access to use this entirely neutral, high-capacity platform would then be open to anyone - commercial and noncommercial alike.
The drive in Philadelphia emphasizes the other, more recently available avenue - wireless.
The quality of WiFi and the widespread adoption of wireless techniques have moved other municipalities to adopt wireless or mixed-fiber wireless strategies.
Municipalities are proposing to use publicly owned facilities to place wireless points of access around the town, covering the area in a cloud of connectivity and providing open Internet access from anywhere in the city.
Philadelphia's initiative has received the widest public attention, although other, smaller cities are closer to having a wireless cloud over the city already.
The incumbent broadband providers have not taken kindly to the municipal assault on their monopoly (or oligopoly) profits.
The town appealed to the FCC and the Federal Court of Appeals in Washington, D.C.
Both bodies held that when Congress passed the 1996 Telecommunications Act, and said that, "no state . . . regulation . . . may prohibit . . . the ability of any entity to provide . . . telecommunications service," municipalities were not included in the term "any entity."
As the D.C. Circuit put it, "any" might have some significance "depending on the speaker's tone of voice," but here it did not really mean "any entity," only some.
And states could certainly regulate the actions of municipalities, which are treated in U.S. law as merely their subdivisions or organs./13
Bristol, Virginia, had to fight off similar efforts to prohibit its plans through state law before it was able to roll out its network.
In early 2004, the U.S. Supreme Court was presented with the practice of state preemption of municipal broadband efforts and chose to leave the municipalities to fend for themselves.
A coalition of Missouri municipalities challenged a Missouri law that, like the Texas law, prohibited them from stepping in to offer their citizens broadband service.
The Court of the Appeals for the Eighth Circuit agreed with the municipalities.
The 1996 Act, after all, was intended precisely to allow anyone to compete with the incumbents.
The section that prohibited states from regulating the ability of "any entity" to enter the telecommunications service market precisely anticipated that the local incumbents would use their clout in state legislatures to thwart the federal policy of introducing competition into the local loop.
Here, the incumbents were doing just that, but the Supreme Court reversed the Eighth Circuit decision.
Without dwelling too much on the wisdom of allowing citizens of municipalities to decide for themselves whether they want a municipal system, the court issued an opinion that was technically defensible in terms of statutory interpretation, but effectively invited the incumbent broadband providers to put their lobbying efforts into persuading state legislators to prohibit municipal efforts./14
After Philadelphia rolled out its wireless plan, it was not long before the Pennsylvania legislature passed a similar law prohibiting municipalities from offering broadband.
While Philadelphia's plan itself was grandfathered, future expansion from a series of wireless "hot spots" in open area to a genuine municipal network will likely be challenged under the new state law.
Other municipalities in Pennsylvania are entirely foreclosed from pursuing this option.
In this domain, at least as of 2005, the incumbents seem to have had some substantial success in containing the emergence of municipal broadband networks as a significant approach to eliminating the bottleneck in local network infrastructure.
Devices
The second major component of the physical layer of the networked environment is comprised of the devices people use to compute and communicate.
In the United States, personal computers are the overwhelmingly dominant mode of connectivity.
In Europe and Japan, mobile handheld devices occupy a much larger space.
Game consoles are beginning to provide an alternative computationally intensive device, and Web-TV has been a background idea for a while.
The increasing digitization of both over-the-air and cable broadcast makes digital TV a background presence, if not an immediate alternative avenue, to Internet communications.
None of these devices are constructed by a commons - in the way that open wireless networks, free software, or peer-produced content can be.
Personal computers, however, are built on open architecture, using highly standardized commodity components and open interfaces in an enormously competitive market.
As a practical matter, therefore, PCs provide an open-platform device.
Handhelds, game consoles, and digital televisions, on the other hand, use more or less proprietary architectures and interfaces and are produced in a less-competitive market - not because there is no competition among the manufacturers, but because the distribution chain, through the service providers, is relatively controlled.
The result is that configurations and features can more readily be customized for personal computers.
New uses can be developed and implemented in the hardware without permission from any owner of a manufacturing or distribution outlet.
As handhelds grow in their capabilities, and personal computers collapse in size, the two modes of communicating are bumping into each other's turf.
At the moment, there is no obvious regulatory push to nudge one or the other out.
Observing the evolution of these markets therefore has less to do with policy.
As we look at these markets, however, it is important to recognize that the outcome of this competition is not normatively neutral.
The capabilities made possible by personal computers underlie much of the social and economic activity described throughout this book.
Proprietary handhelds, and even more so, game consoles and televisions, are, presently at least, platforms that choreograph their use.
They structure their users' capabilities according to design requirements set by their producers and distributors.
A physical layer usable with general-purpose computers is one that is pliable and open for any number of uses by individuals, in a way that a physical layer used through more narrowly scripted devices is not.
The major regulatory threat to the openness of personal computers comes from efforts to regulate the use of copyrighted materials.
Here, I only note that peer-to-peer networks, and what Fisher has called "promiscuous copying" on the Internet, have created a perceived threat to the very existence of the major players in the industrial cultural production system - Hollywood and the recording industry.
These industries are enormously adept at driving the regulation of their business environment - the laws of copyright, in particular.
As the threat of copying and sharing of their content by users increased, these industries have maintained a steady pressure on Congress, the courts, and the executive to ratchet up the degree to which their rights are enforced.
As we will see in looking at the logical and content layers, these efforts have been successful in changing the law and pushing for more aggressive enforcement.
They have not, however, succeeded in suppressing widespread copying.
Copying continues, if not entirely unabated, certainly at a rate that was impossible a mere six years ago.
One major dimension of the effort to stop copying has been a drive to regulate the design of personal computers.
the second, Consumer Broadband and Digital Television Promotion Act (CBDTPA), was actually introduced in the Senate in 2002./15
The basic structure of these proposed statutes was that they required manufacturers to design their computers to be "trusted systems."
The term "trusted," however, had a very odd meaning.
The point is that the system, or computer, can be trusted to perform in certain predictable ways, irrespective of what its owner wishes.
The impulse is trivial to explain.
If you believe that most users are using their personal computers to copy films and music illegally, then you can think of these users as untrustworthy.
In order to be able to distribute films and music in the digital environment that is trustworthy, one must disable the users from behaving as they would choose to.
The result is a range of efforts at producing what has derisively been called "the Fritz chip": legal mandates that systems be designed so that personal computers cannot run programs that are not certified properly to the chip.
The most successful of these campaigns was Hollywood's achievement in persuading the FCC to require manufacturers of all devices capable of receiving digital television signals from the television set to comply with a particular "trusted system" standard.
This "broadcast flag" regulation was odd in two distinct ways.
First, the rule-making documents show quite clearly that this was a rule driven by Hollywood, not by the broadcasters.
This is unusual because the industries that usually play a central role in these rule makings are those regulated by the FCC, such as broadcasters and cable systems.
Second, the FCC was not, in fact, regulating the industries that it normally has jurisdiction to regulate.
Instead, the rule applied to any device that could use digital television signals after they had already been received in the home.
In other words, they were regulating practically every computer and digital-video-capable consumer electronics device imaginable.
The Court of Appeals ultimately indeed struck down the regulation as wildly beyond the agency's jurisdiction, but the broadcast flag nonetheless is the closest that the industrial information economy incumbents have come to achieving regulatory control over the design of computers.
The efforts to regulate hardware to fit the distribution model of Hollywood and the recording industry pose a significant danger to the networked information environment.
It is this general-purpose character that has allowed personal computers to take on such varied roles since their adoption in the 1980s.
The purpose of the Fritz chip-style laws is to make computing devices less flexible.
It is to define a range of socially, culturally, and economically acceptable uses of the machines that are predicted by the legislature and the industry actors, and to implement factory-defined capabilities that are not flexible, and do not give end users the freedom to change the intended use over time and to adapt to changing social and economic conditions and opportunities.
The political economy of this regulatory effort, and similar drives that have been more successful in the logical and content layers, is uncharacteristic of American politics.
Verizon alone has roughly similar annual revenues to the entire U.S. movie industry.
Each one of the industries that the content industries have tried to regulate has revenues several times greater than do the movie and music industries combined.
The relative successes of Hollywood and the recording industry in regulating the logical and content layers, and the viability of their efforts to pass a Fritz chip law, attest to the remarkable cultural power of these industries and to their lobbying prowess.
The reason is likely historical.
The software and hardware industries in particular have developed mostly outside of the regulatory arena; only around 2002 did they begin to understand that what goes on in Washington could really hurt them.
The telecommunications carriers, which are some of the oldest hands at the regulatory game, have had some success in preventing regulations that would force them to police their users and limit Internet use.
However, the bulk of their lobbying efforts have been aimed elsewhere.
The institutions of higher education, which have found themselves under attack for not policing their students' use of peer-to-peer networks, have been entirely ineffective at presenting their cultural and economic value and the importance of open Internet access to higher education, as compared to the hypothetical losses of Hollywood and the recording industry.
Despite the past successes of these entertainment-industry incumbents, two elements suggest that physical device regulation of the CBDPTA form will not follow the same successful path of similar legislation at the logical layer, the DMCA of 1998.
The first element is the fact that, unlike in 1998, the technology industries have now realized that Hollywood is seeking to severely constrain their design space.
Industries with half a trillion dollars a year in revenues tend to have significant pull in American and international lawmaking bodies, even against industries, like movies and sound recording, that have high cultural visibility but no more than seventy-five billion dollars a year in revenues.
The second is that in 1998, there were very few public advocacy organizations operating in the space of intellectual property and trying to play watchdog and to speak for the interests of users.
By 2004, a number of organizations dedicated to users' rights in the digital environment emerged to make that conflict clear.
The combination of well-defined business interests with increasing representation of user interests creates a political landscape in which it will be difficult to pass sweeping laws to limit the flexibility of personal computers.
The most recent iteration of the Fritz chip agenda, the Inducing Infringement of Copyrights Act of 2004 was indeed defeated, for the time being, by a coalition of high-technology firms and people who would have formerly been seen as left-of-center media activists.
Regulation of device design remains at the frontier of the battles over the institutional ecology of the digital environment.
And it is therefore precisely ubiquitous access to such basic machines that is a precondition to the improvements in freedom and justice that we can see emerging in the digital environment.
At the logical layer, most of the efforts aimed to secure a proprietary model and a more tightly controlled institutional ecology follow a similar pattern to the efforts to regulate device design.
Unlike the physical transmission layer, which is historically rooted in a proprietary but regulated organizational form, most of the logical layer of the Internet has its roots in open, nonproprietary protocols and standards.
The broad term "logical layer" combines a wide range of quite different functionalities.
The most basic logical components - the basic protocols and standards for Internet connectivity - have from the beginning of the Internet been open, unowned, and used in common by all Internet users and applications.
They were developed by computer scientists funded primarily with public money.
The basic Internet Protocol (IP) and Transmission Control Protocol (TCP) are open for all to use.
Most of the basic standards for communicating were developed in the IETF, a loosely defined standards-setting body that works almost entirely on a meritocratic basis - a body that Michael Froomkin once suggested is the closest earthly approximation of Habermas's ideal speech situation.
Individual computer engineers contributed irrespective of formal status or organizational affiliation, and the organization ran on the principle that Dave Clark termed "rough consensus and running code."
The World Wide Web protocols and authoring conventions HTTP and HTML were created, and over the course of their lives, shepherded by Tim Berners Lee, who has chosen to dedicate his efforts to making the Web a public good rather than cashing in on his innovation.
The sheer technical necessity of these basic protocols and the cultural stature of their achievement within the engineering community have given these open processes and their commonslike institutional structure a strong gravitational pull on the design of other components of the logical layer, at least insofar as it relates to the communication side of the Internet.
This basic open model has been in constant tension with the proprietary models that have come to use and focus on the Internet in the past decade.
Commercial actors began to look for ways to capture the commercial value of the human potential of the World Wide Web and the Internet, while Hollywood and the recording industry saw the threat of one giant worldwide copying machine looming large.
At the same time, the Clinton administration's search of "third-way" liberal agenda manifested in these areas as a commitment to "let the private sector lead" in deployment of the Internet, and an "intellectual property" policy based on extreme protectionism for the exclusive-rights-dependent industries aimed, in the metaphors of that time, to get cars on the information superhighway or help the Internet become a celestial jukebox.
The result was a series of moves designed to make the institutional ecology of the Internet more conducive to the proprietary model.
The Digital Millennium Copyright Act of 1998
No piece of legislation more clearly represents the battle over the institutional ecology of the digital environment than the pompously named Digital Millennium Copyright Act of 1998 (DMCA).
The basic worldview behind it, expressed in a 1995 white paper issued by the Clinton administration, was that in order for the National Information Infrastructure (NII) to take off, it had to have "content," and that its great promise was that it could deliver the equivalent of thousands of channels of entertainment.
This would only happen, however, if the NII was made safe for delivery of digital content without making it easily copied and distributed without authorization and without payment.
The two core recommendations of that early road map were focused on regulating technology and organizational responsibility.
First, law was to regulate the development of technologies that might defeat any encryption or other mechanisms that the owners of copyrighted materials would use to prevent use of their works.
Second, Internet service providers were to be held accountable for infringements made by their users, so that they would have an incentive to police their systems.
Early efforts to pass this agenda in legislation were resisted, primarily by the large telecommunications service providers.
The Baby Bells - U.S. regional telephone companies that were created from the breakup of AT&T (Ma Bell) in 1984, when the telecommunications company was split up in order to introduce a more competitive structure to the telecom industry - also played a role in partly defeating implementation of this agenda in the negotiations toward new WIPO treaties in 1996, treaties that ultimately included a much-muted version of the white paper agenda.
Nonetheless, the following year saw significant lobbying for "implementing legislation" to bring U.S. law in line with the requirements of the new WIPO treaties.
This new posture placed the emphasis of congressional debates on national industrial policy and the importance of strong protection to the export activities of the U.S. content industries.
It was enough to tip the balance in favor of passage of the DMCA.
The Internet service provider liability portions bore the marks of a hard-fought battle.
The core concerns of the telecommunications companies were addressed by creating an explicit exemption for pure carriage of traffic.
Furthermore, providers of more sophisticated services, like Web hosting, were provided immunity from liability for simple failure to police their system actively.
In exchange, however, service providers were required to respond to requests by copyright owners by immediately removing materials that the copyright owners deemed infringing.
This was the provision under which Diebold forced Swarthmore to remove the embarrassing e-mail records from the students' Web sites.
The other, more basic, element of the DMCA was the anticircumvention regime it put in place.
Pamela Samuelson has described the anticircumvention provisions of the DMCA as the result of a battle between Hollywood and Silicon Valley.
At the time, unlike the telecommunications giants who were born of and made within the regulatory environment, Silicon Valley did not quite understand that what happened in Washington, D.C., could affect its business.
The Act was therefore an almost unqualified victory for Hollywood, moderated only by a long list of weak exemptions for various parties that bothered to show up and lobby against it.
The central feature of the DMCA, a long and convoluted piece of legislation, is its anticircumvention and antidevice provisions.
Copyright owners believed that it would be possible to build strong encryption into media products distributed on the Internet.
If they did so successfully, the copyright owners could charge for digital distribution and users would not be able to make unauthorized copies of the works.
If this outcome was achieved, the content industries could simply keep their traditional business model - selling movies or music as discrete packages - at lower cost, and with a more refined ability to extract the value users got from using their materials.
The DMCA was intended to make this possible by outlawing technologies that would allow users to get around, or circumvent, the protection measures that the owners of copyrighted materials put in place.
At first blush, this proposition sounds entirely reasonable.
If you think of the content of a music file as a home, and of the copy protection mechanism as its lock, then all the DMCA does is prohibit the making and distributing of burglary tools.
This is indeed how the legislation was presented by its supporters.
From this perspective, even the relatively draconian consequences spelled out in the DMCA's criminal penalties seem defensible.
There are two distinct problems with this way of presenting what the DMCA does.
There are many uses of existing works that are permissible to all.
They are treated in copyright law like walking on the sidewalk or in a public park is treated in property law, not like walking across the land of a neighbor.
This is true, most obviously, for older works whose copyright has expired.
This is true for certain kinds of uses of a work, like quoting it for purposes of criticism or parody.
Encryption and other copy-protection techniques are not limited by the definition of legal rights.
They can be used to protect all kinds of digital files - whether their contents are still covered by copyright or not, and whether the uses that users wish to make of them are privileged or not.
Circumvention techniques, similarly, can be used to circumvent copy-protection mechanisms for purposes both legitimate and illegitimate.
A barbed wire cutter, to borrow Boyle's metaphor, could be a burglary tool if the barbed wire is placed at the property line.
However, it could equally be a tool for exercising your privilege if the private barbed wire has been drawn around public lands or across a sidewalk or highway.
The DMCA prohibited all wire cutters, even though there were many uses of these technologies that could be used for legal purposes.
Imagine a ten-year-old girl doing her homework on the history of the Holocaust.
She includes in her multimedia paper a clip from Steven Spielberg's film, Schindler's List, in which a little girl in red, the only color image on an otherwise black-and-white screen, walks through the pandemonium of a deportation.
In her project, the child painstakingly superimposes her own face over that of the girl in the film for the entire sequence, frame by frame.
She calls the paper, "My Grandmother."
There is little question that most copyright lawyers (not retained by the owner of the movie) would say that this use would count as a "fair use," and would be privileged under the Copyright Act.
There is also little question that if Schindler's List was only available in encrypted digital form, a company would have violated the DMCA if it distributed a product that enabled the girl to get around the encryption in order to use the snippet she needed, and which by traditional copyright law she was permitted to use.
It is in the face of this concern about overreaching by those who employ technological protection measures that Julie Cohen argued for the "right to hack" - to circumvent code that impedes one's exercise of one's privileged uses.
The second problem with the DMCA is that its definitions are broad and malleable.
Edward Felten is a computer scientist at Princeton.
As he was preparing to publish an academic paper on encryption, he received a threatening letter from the Recording Industry Association of America (RIAA), telling him that publication of the paper constituted a violation of the DMCA.
The music industry had spent substantial sums on developing encryption for digital music distribution.
In order to test the system before it actually entrusted music with this wrapper, the industry issued a public challenge, inviting cryptographers to try to break the code.
Felten succeeded in doing so, but did not continue to test his solutions because the industry required that, in order to continue testing, he sign a nondisclosure agreement.
Felten is an academic, not a businessperson.
He works to make knowledge public, not to keep it secret.
He refused to sign the nondisclosure agreement, and prepared to publish his initial findings, which he had made without entering any nondisclosure agreement.
As he did so, he received the RIAA's threatening letter.
In response, he asked a federal district court to declare that publication of his findings was not a violation of the DMCA.
The RIAA, realizing that trying to silence academic publication of a criticism of the weakness of its approach to encryption was not the best litigation stance, moved to dismiss the case by promising it would never bring suit./16
Another case did not end so well for the defendant.
The studios sought an injunction prohibiting 2600 from making available a program called DeCSS, which circumvents the copy-protection scheme used to control access to DVDs, named CSS.
CSS prevents copying or any use of DVDs unauthorized by the vendor.
DeCSS was written by a fifteen-year-old Norwegian named Jon Johanson, who claimed (though the district court discounted his claim) to have written it as part of an effort to create a DVD player for GNU/Linux-based machines.
A copy of DeCSS, together with a story about it was posted on the 2600 site.
The industry obtained an injunction against 2600, prohibiting not only the posting of DeCSS, but also its linking to other sites that post the program - that is, telling users where they can get the program, rather than actually distributing a circumvention program.
That decision may or may not have been correct on the merits.
There are strong arguments in favor of the proposition that making DVDs compatible with GNU/Linux systems is a fair use.
There are strong arguments that the DMCA goes much farther than it needs to in restricting speech of software programmers and Web authors, and so is invalid under the First Amendment.
The court rejected these arguments.
The point here is not, however, to revisit the legal correctness of that decision, but to illustrate the effects of the DMCA as an element in the institutional ecology of the logical layer.
It is intended specifically to preserve the "thing-" or "goods"-like nature of entertainment products - music and movies, in particular.
As such, it is intended to, and does to some extent, shape the technological development toward treating information and culture as finished goods, rather than as the outputs of social and communications processes that blur the production-consumption distinction.
It makes it more difficult for individuals and nonmarket actors to gain access to digital materials that the technology, the market, and the social practices, left unregulated, would have made readily available.
It makes practices of cutting and pasting, changing and annotating existing cultural materials harder to do than the technology would have made possible.
I have argued elsewhere that when Congress self-consciously makes it harder for individuals to use whatever technology is available to them, to speak as they please and to whomever they please, in the interest of some public goal (in this case, preservation of Hollywood and the recording industry for the public good), it must justify its acts under the First Amendment.
However, the important question is not one of U.S. constitutional law.
The more general claim, true for any country that decides to enforce a DMCA-like law, is that prohibiting technologies that allow individuals to make flexible and creative uses of digital cultural materials burdens the development of the networked information economy and society.
All these losses will be incurred in expectation of improvements in creativity, even though it is not at all clear that doing so would actually improve, even on a simple utilitarian calculus, the creative production of any given country or region.
Passing a DMCA-type law will not by itself squelch the development of nonmarket and peer production.
Indeed, many of these technological and social-economic developments emerged and have flourished after the DMCA was already in place.
It does, however, represent a choice to tilt the institutional ecology in favor of industrial production and distribution of cultural packaged goods, at the expense of commons-based relations of sharing information, knowledge, and culture.
Twentieth-century cultural materials provide the most immediate and important source of references and images for contemporary cultural creation.
Given the relatively recent provenance of movies, recorded music, and photography, much of contemporary culture was created in these media.
These basic materials for the creation of contemporary multimedia culture are, in turn, encoded in formats that cannot simply be copied by hand, as texts might be even in the teeth of technical protection measures.
The capacity to copy mechanically is a necessary precondition for the capacity to quote and combine existing materials of these kinds into new cultural statements and conversational moves.
Preserving the capacity of industrial cultural producers to maintain a hermetic seal on the use of materials to which they own copyright can be bought only at the cost of disabling the newly emerging modes of cultural production from quoting and directly building upon much of the culture of the last century.
The Battle over Peer-to-Peer Networks
The second major institutional battle over the technical and social trajectory of Internet development has revolved around peer-to-peer (p2p) networks.
If any laws have that determinative a power, they are the Fritz chip and DMCA.
However, the peer-to-peer legal battle offers an excellent case study of just how difficult it is to evaluate the effects of institutional ecology on technology, economic organization, and social practice.
Peer-to-peer technologies as a global phenomenon emerged from Napster and its use by tens of millions of users around the globe for unauthorized sharing of music files.
They have been adopted by more than one hundred million users, and are increasingly applied to uses well beyond music sharing.
These developments have occurred despite a systematic and aggressive campaign of litigation and criminal enforcement in a number of national systems against both developers and users.
Technically, p2p networks are algorithms that run on top of the Internet and allow users to connect directly from one end user's machine to another.
In theory, that is how the whole Internet works - or at least how it worked when there were a small number of computers attached to it.
In practice, most users connect through an Internet service provider, and most content available for access on the Internet was available on a server owned and operated by someone distinct from its users.
In the late 1990s, there were rudimentary utilities that allowed one user to access information stored on the computer of another, but no widely used utility allowed large numbers of individuals to search each other's hard drives and share data directly from one user to another.
Around 1998-1999, early Internet music distribution models, like MP3.com, therefore provided a centralized distribution point for music.
This made them highly vulnerable to legal attack.
Shawn Fanning, then eighteen years old, was apparently looking for ways to do what teenagers always do - share their music with friends - in a way that would not involve a central point of storing and copying.
He developed Napster - the first major, widely adopted p2p technology.
Unlike MP3.com, users of Napster could connect their computers directly - one person could download a song stored on the computer of another without mediation.
All that the Napster site itself did, in addition to providing the end-user software, was to provide a centralized directory of which songs resided on which machine.
There is little disagreement in the literature that it is an infringement under U.S. copyright law for any given user to allow others to duplicate copyrighted music from his or her computer to theirs.
The centralizing role of Napster in facilitating these exchanges, alongside a number of ill-considered statements by some of its principals, were enough to render the company liable for contributory copyright infringement.
The genie of p2p technology and the social practice of sharing music, however, were already out of the bottle.
First, it shows how institutional design can be a battleground over the conditions of cultural production in the digital environment.
Second, it exposes the limits of the extent to which the institutional ecology can determine the ultimate structure of behavior at a moment of significant and rapid technological and social perturbation.
Napster's judicial closure provided no real respite for the recording industry.
As Napster was winding down, Gnutella, a free software alternative, had already begun to replace it.
Gnutella did not depend on any centralized component, not even to facilitate search.
This meant that there was no central provider.
There was no firm against which to bring action.
Even if there were, it would be impossible to "shut down" use of the program.
Gnutella was a freestanding program that individual users could install.
Once installed, its users could connect to anyone else who had installed the program, without passing through any choke point.
There was no central server to shut down.
Gnutella had some technical imperfections, but these were soon overcome by other implementations of p2p.
The most successful improvement over Gnutella was the FastTrack architecture, now used by Kazaa, Grokster, and other applications, including some free software applications.
It improves on the search capabilities of Gnutella by designating some users as "supernodes," which store information about what songs are available in their "neighborhood."
This avoids Gnutella's primary weakness, the relatively high degree of network overhead traffic.
The supernodes operate on an ad hoc basis.
They change based on whose computer is available with enough storage and bandwidth.
They too, therefore, provide no litigation target.
Other technologies have developed to speed up or make more robust the distribution of files, including BitTorrent, eDonkey and its free-software relative eMule, and many others.
Within less than two years of Napster's closure, more people were using these various platforms to share files than Napster had users at its height.
Some of these new firms found themselves again under legal assault - both in the United States and abroad.
As the technologies grew and developed, and as the legal attacks increased, the basic problem presented by the litigation against technology manufacturers became evident.
At the simplest level, they can be used to distribute music that is released by an increasing number of bands freely.
These bands hope to get exposure that they can parley into concert performances.
As recorded music from the 1950s begins to fall into the public domain in Europe and Australia, golden oldies become another legitimate reason to use p2p technologies.
More important, p2p systems are being adapted to different kinds of uses.
Chapter 7 discusses how FreeNet is being used to disseminate subversive documents, using the persistence and robustness of p2p networks to evade detection and suppression by authoritarian regimes.
BitTorrent was initially developed to deal with the large file transfers required for free software distributions.
BitTorrent and eDonkey were both used by the Swarthmore students when their college shut down their Internet connection in response to Diebold's letter threatening action under the service provider liability provisions of the DMCA.
The founders of KaZaa have begun to offer an Internet telephony utility, Skype, which allows users to make phone calls from one computer to another for free, and from their computer to the telephone network for a small fee.
Skype is a p2p technology.
In other words, p2p is developing as a general approach toward producing distributed data storage and retrieval systems, just as open wireless networks and distributed computing are emerging to take advantage of personal devices to produce distributed communications and computation systems, respectively.
KaZaa was sued in the Netherlands, and moved to Australia.
It was later subject to actions in Australia, but by that time, the Dutch courts found the company not to be liable to the music labels.
Grokster, a firm based in the United States, was initially found to have offered a sufficiently diverse set of capabilities, beyond merely facilitating copyright infringements, that the Court of Appeals for the Ninth Circuit refused to find it liable simply for making and distributing its software.
The Supreme Court reversed that holding, however, returning the case to the lower courts to find, factually, whether Grokster had actual intent to facilitate illegal copying./17
Even if Grokster ultimately loses, the FastTrack network architecture will not disappear; clients (that is, end user software) will continue to exist, including free software clients.
Perhaps it will be harder to raise money for businesses located within the United States to operate in this technological space, because the new rule announced by the Supreme Court in Grokster raises the risk of litigation for innovators in the p2p space.
However, as with encryption regulation in the mid-1990s, it is not clear that the United States can unilaterally prevent the development of technology for which there is worldwide demand and with regard to whose development there is globally accessible talent.
How important more generally are these legal battles to the organization of cultural production in the networked environment?
In this domain, law seems unlikely to prevent the continued development of p2p technologies.
It has, however, had two opposite results.
First, it has affected the path of the technological evolution in a way that is contrary to the industry interests but consistent with increasing distribution of the core functions of the logical layer.
Second, it seems to have dampened somewhat the social practice of file sharing.
The second component assumes that a range of p2p technologies will continue to be widely adopted, and that some significant amount of sharing will continue to be practiced.
The question then becomes what effect this will have on the primary cultural industries that have fought this technology - movies and recorded music.
Within this new context, music will likely change more radically than movies, and the primary effect will be on the accreditation function - how music is recognized and adopted by fans.
Film, if it is substantially affected, will likely be affected largely by a shift in tastes.
MP3.com was the first major music distribution site shut down by litigation.
Users paid a subscription fee, in exchange for which they were allowed to download music.
There were various quirks and kinks in this model that made it unattractive to the music industry at the time: the industry did not control this major site, and therefore had to share the rents from the music, and more important, there was no effective control over the music files once downloaded.
However, from the perspective of 2005, MP3.com was a vastly more manageable technology for the sound recording business model than a free software file-sharing client.
MP3.com was a single site, with a corporate owner that could be (and was) held responsible.
It controlled which user had access to what files - by requiring each user to insert a CD into the computer to prove that he or she had bought the CD - so that usage could in principle be monitored and, if desired, compensation could be tied to usage.
It did not fundamentally change the social practice of choosing music.
It provided something that was more like a music-on-demand jukebox than a point of music sharing.
As a legal matter, MP3.com's infringement was centered on the fact that it stored and delivered the music from this central server instead of from the licensed individual copies.
In response to the shutdown of MP3.com, Napster redesigned the role of the centralized mode, and left storage in the hands of users, keeping only the directory and search functions centralized.
When Napster was shut down, Gnutella and later FastTrack further decentralized the system, offering a fully decentralized, ad hoc reconfigurable cataloging and search function.
Because these algorithms represent architecture and a protocol-based network, not a particular program, they are usable in many different implementations.
This includes free software programs like MLDonkey - which is a nascent file-sharing system that is aimed to run simultaneously across most of the popular file-sharing networks, including FastTrack, BitTorrent, and Overnet, the eDonkey network.
These programs are now written by, and available from, many different jurisdictions.
There is no central point of control over their distribution.
There is no central point through which to measure and charge for their use.
They are, from a technical perspective, much more resilient to litigation attack, and much less friendly to various possible models of charging for downloads or usage.
From a technological perspective, then, the litigation backfired.
It created a network that is less susceptible to integration into an industrial model of music distribution based on royalty payments per user or use.
It is harder to gauge, however, whether the litigation was a success or a failure from a social-practice point of view.
The recording industry claimed that CD sales were down because of file sharing, but more independent academic studies suggested that CD sales were not independently affected by file sharing, as opposed to the general economic downturn./18
The Pew project on Internet and American Life user survey data suggests that the litigation strategy against individual users has dampened the use of file sharing, though file sharing is still substantially more common among users than paying for files from the newly emerging pay-per-download authorized services.
In mid-2003, the Pew study found that 29 percent of Internet users surveyed said they had downloaded music files, identical to the percentage of users who had downloaded music in the first quarter of 2001, the heyday of Napster.
Twenty-one percent responded that they allow others to download from their computer./19
This meant that somewhere between twenty-six and thirty-five million adults in the United States alone were sharing music files in mid-2003, when the recording industry began to sue individual users.
Of these, fully two-thirds expressly stated that they did not care whether the files they downloaded were or were not copyrighted.
By the end of 2003, five months after the industry began to sue individuals, the number of respondents who admitted to downloading music dropped by half.
During the next few months, these numbers increased slightly to twenty-three million adults, remaining below the mid-2003 numbers in absolute terms and more so in terms of percentage of Internet users.
Of those who had at one point downloaded, but had stopped, roughly a third said that the threat of suit was the reason they had stopped file sharing./20
During this same period, use of pay online music download services, like iTunes, rose to about 7 percent of Internet users.
Sharing of all kinds of media files - music, movies, and games - was at 23 percent of adult Internet users.
These numbers do indeed suggest that, in the aggregate, music downloading is reported somewhat less often than it was in the past.
It is hard to tell how much of this reduction is due to actual behavioral change as compared to an unwillingness to self-report on behavior that could subject one to litigation.
It is impossible to tell how much of an effect the litigation has had specifically on sharing by younger people - teenagers and college students - who make up a large portion of both CD buyers and file sharers.
Nonetheless, the reduction in the total number of self-reported users and the relatively steady percentage of total Internet users who share files of various kinds suggest that the litigation does seem to have had a moderating effect on file sharing as a social practice.
It has not, however, prevented file sharing from continuing to be a major behavioral pattern among one-fifth to one-quarter of Internet users, and likely a much higher proportion in the most relevant populations from the perspective of the music and movie industries - teenagers and young adults.
From the perspective of understanding the effects of institutional ecology, then, the still-raging battle over peer-to-peer networks presents an ambiguous picture.
The application was extremely easy to use; it offered a single network for all file-sharing users, thereby offering an extremely diverse and universal content distribution network; and for a brief period, it was a cultural icon and a seemingly acceptable social practice.
The period of regrouping that followed its closure; the imperfect interfaces of early Gnutella clients; the relative fragmentation of file sharing into a number of networks, each with a smaller coverage of content than was present; and the fear of personal litigation risk are likely to have limited adoption.
On the other hand, in the longer run, the technological developments have created platforms that are less compatible with the industrial model, and which would be harder to integrate into a stable settlement for music distribution in the digital environment.
Prediction aside, it is not immediately obvious why peer-to-peer networks contribute to the kinds of nonmarket production and creativity that I have focused on as the core of the networked information economy.
This has little to do with democratization of creativity.
To see why p2p networks nonetheless are a part of the development of a more attractive cultural production system, and how they can therefore affect the industrial organization of cultural production, we can look first at music, and then, independently, at movies.
The industrial structure of each is different, and the likely effects of p2p networks are different in each case.
Recorded music began with the phonograph - a packaged good intended primarily for home consumption.
Very few musicians, including successful recording artists, make money from recording royalties.
The recording industry takes almost all of the revenues from record and CD sales, and provides primarily promotion and distribution.
It does not bear the capital cost of the initial musical creation; artists do.
With the declining cost of computation, that cost has become relatively low, often simply a computer owned by artists themselves, much as they own their instruments.
Because of this industrial structure, peer-to-peer networks are a genuine threat to displacing the entire recording industry, while leaving musicians, if not entirely unaffected, relatively insulated from the change and perhaps mildly better off.
Just as the recording industry stamps CDs, promotes them on radio stations, and places them on distribution chain shelves, p2p networks produce the physical and informational aspects of a music distribution system.
However, p2p networks do so collaboratively, by sharing the capacity of their computers, hard drives, and network connections.
Filtering and accreditation, or "promotion," are produced on the model that Eben Moglen called "anarchist distribution."
Jane's friends and friends of her friends are more likely to know exactly what music would make her happy than are recording executives trying to predict which song to place, on which station and which shelf, to expose her to exactly the music she is most likely to buy in a context where she would buy it.
File-sharing systems produce distribution and "promotion" of music in a social-sharing modality.
Alongside peer-produced music reviews, they could entirely supplant the role of the recording industry.
Musicians and songwriters seem to be relatively insulated from the effects of p2p networks, and on balance, are probably affected positively.
Only 5 percent said it has hurt them.
Thirty percent said it increased attendance at concerts, 21 percent that it helped them sell CDs and other merchandise, and 19 percent that it helped them gain radio playing time.
These results are consistent with what one would expect given the revenue structure of the industry, although the study did not separate answers out based on whether the respondent was able to live entirely or primarily on their music, which represented only 16 percent of the respondents to the survey.
In all, it appears that much of the actual flow of revenue to artists - from performances and other sources - is stable.
This is likely to remain true even if the CD market were entirely displaced by peer-to-peer distribution.
Musicians will still be able to play for their dinner, at least not significantly less so than they can today.
Perhaps there will be fewer millionaires.
Perhaps fewer mediocre musicians with attractive physiques will be sold as "geniuses," and more talented musicians will be heard than otherwise would have, and will as a result be able to get paying gigs instead of waiting tables or "getting a job."
But it would be silly to think that music, a cultural form without which no human society has existed, will cease to be in our world if we abandon the industrial form it took for the blink of a historical eye that was the twentieth century.
Music was not born with the phonograph, nor will it die with the peer-to-peer network.
The terms of the debate, then, are about cultural policy; perhaps about industrial policy.
Will we get the kind of music we want in this system, whoever "we" are?
Will American recording companies continue to get the export revenue streams they do?
Will artists be able to live from making music?
Some of these arguments are serious.
Some are but a tempest in a monopoly-rent teapot.
It is clear that a technological change has rendered obsolete a particular mode of distributing information and culture.
Distribution,